Minor movements are not ours to make so much as ours to attune to:
*see event listing
– A curatorial process for the activation of minor movements requires an attunement to the conditions that select for artfulness
– An attunement to artfulness opens the work to its more-than
– The more-than is what is curated
– An environment is activated, an enlivening of an ecology
– With the enlivening comes a felt experience of time bending
– Time bending moves experience to its emergent unfolding
– In this emergent unfolding we are not spectators
– Emergent unfoldings affect the environment they co-compose
– We are part of that co-composition
– To compose a minor movement is to be composed by it
– A curatorial process for the activation of minor movements requires an active shift in the presupposition that there is a field of art and a field of life
– The political runs through the differential that is composed when the binary between art and life is undone
– What mattters is not whether it is art, but how it shifts the conditions of experience
– When art becomes the way and not the endpoint minor movements become orientors for processes to come.